In this
occasional series, I write about lesser-known parts of London. This is part of my
genteel flaneurist project; genteel that is in comparison with the more gritty
stuff of Messrs. Sinclair, Self et al. No traipsing around railway arches and
disused public toilets looking for the spot that semi-famous bloke, name drop,
name drop, once told me something vaguely interesting, thanks.
This time:
Holland Park and the Leighton House Museum, a few minutes’ walk apart between
Holland Park Road and Kensington High Street.
Holland
Park is a super place for a walk any time of the year with its patches of woodland
and wilderness (blue bells everywhere), and formal landscaping, such as the rose
garden , but especially in spring when the Japanese garden within the garden is
at its best.
The Kyoto
garden is a smallish pond and stream stroll garden and at the time of my visit
was in full bloom with single and double cherries, the acers in fresh leaf of
gold, and red.
Run off from falling water:
wood grains for ghost carp
to hide in and scare their prey.
The garden
was decorated with huge fish kites billowing open-mouthed, the stones were
shiny from that morning’s watering and the snow lanterns shaded from the
season. For a good twenty minutes a grey heron eyed up carp much beyond its
abilities, giving visitors another free photo opportunity.
There are
few Japanese gardens in the UK, and even fewer in London, so for someone like
me, who has made her own attempt at such a creation on a tiny plot in
Shepherd’s Bush, this was well worth the trip, for additional plant listing
purposes and a few precious moments of repose.
You’d hardly know you were in the city with all the birdsong around, including a demonstrative peacock intent on making himself heard.
You’d hardly know you were in the city with all the birdsong around, including a demonstrative peacock intent on making himself heard.
The
Leighton House Museum, a short walk downhill from the park, was the home of
Fredrick, Lord Leighton: Victorian
painter, sculptor and Pre-Raphaelite. It’s famous for its fabulous interiors,
the most wonderful of which if the Arab hall, complete with rich blue and
turquoise tiles and indoor fountain, its song sadly barely audible over the
holiday conversation of the volunteer guides.
The peacock
followed me onto the tiling and as an extravagant piece of taxidermy,
positioned at the curve of the bannisters, and in various places tail feathers
appeared in jars. Clearly my superstitions about these things indoors are not
shared by the house’s curators.
Currently
on show is a great collection of Pre-Raphaelite works on paper from all the usual
suspects. I wondered about the wisdom of ruining a turkey carpet by hanging a
portrait on it. More charmingly a class from a girl’s junior school was doing
some well-behaved drawing in the theatre.
The garden
is huge for this part of town and sports one of Leighton’s snake fighting
sculptures. You may know the one in the RA.
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