Showing posts with label writing workshop. Show all posts
Showing posts with label writing workshop. Show all posts

Thursday, 19 December 2013

Paris Lit Up Writing Workshops - January 2014 - News

My next making workshop is on Sunday 5 January in the library at Shakespeare and Company as usual at 12h30h.

and NEW for 2014 starting on Saturday 11 January at the Cafe Apparement at 16h is a two hour weekly feedback workshop hosted by either Jason Francis Mc Gimsey, Paul Stephenson or me.

Do think about coming to one or other or both of these to kick start your writing year.

Friday, 8 November 2013

Writing Workshop

My next Paris Lit Up writing workshop is at Shakespeare and Company on Sunday 1 December at 12h30. The theme is THE DARK. Details here

Friday, 11 October 2013

PLU Writing Workshop

My next workshop will be: 'NO IDEAS BUT IN THINGS.'

Explore William Carlos Williams' famous dictat with me and find new ways to make poems, prose, flash fiction, texts from and into Objects and Memories. 

Please bring with you one object of any kind that is particularly precious, but not necessarily in the monetary sense. Details of location, time, cost etc. here.

Sunday, 22 September 2013

Writing Workshop - October

Plenty, Plenty, Plenty, the harvest in all its forms is the theme for my next writing workshop.
Come and see how much new work and ideas for poems, flash fiction and short prose pieces you can make on working the land and bringing the countryside into town. 
Gather sheaves of paper and other writing equipment and join the fun in the library at Shakespeare & Company on Sunday 6 October at 12h30. Details here. 
Suggested donation 10 euros to much needed Paris Lit Up funds.

Monday, 19 August 2013

Writing Workshop News - 1 September

The first Paris Lit Up Writing Workshop of the new year will be on 1 September at 12h30 in the library at Shakespeare and Company. Come and join me for a two hour session creating new ideas and work for poems, flash fiction and short prose pieces.

The theme is Taking Another Word for a Walk, Challenge yourself to see just how much you can do with one little word. I dare you!

Donation 10 euros to Paris Lit Up's much needed funds. See you there then.

Wednesday, 15 May 2013

Poetry Workshops - News

My next Paris Lit Up writing workshop is on Sunday 2 June in the library at Shakespeare and Company when we will be Taking a Word for a Walk. Come and see what you can create from just one word.

On Sunday 7 June I will be leading a workshop at the Reading Poetry Festival in the UK from 10am-12pm at the Museum of English Rural Life.

Monday, 15 April 2013

Stealing the Family Silver with Sylvia Plath

My next workshop at Shakespeare and Company on Sunday 5 May at 12h30 will be about using your family stories, real or imagined, to create new poems and pieces of prose. In advance of that I want to take a very brief look at one of Sylvia Plath's iconic poems and then set you a writing exercise.


Daddy, Plath's tirade against and exorcism of her father, is one of her most well-known poems. It starts as it means to go on 'You do not do, you do not do'  and ends 'Daddy, daddy, you bastard, I'm through.'[1] Plath is much criticised for the hyperbole and inappropriate metaphor in this poem usually on the grounds that whatever her father did to her it simply can't have been as bad as the holocaust. But as Plath herself explained in a radio interview; it’s complicated and created tensions for her as her father was a Nazi and her mother may have been partly Jewish.[2]

At its core, the poem is about power and powerlessness: the power exerted by her father on Sylvia from the grave (he died when she was ten) – ‘the black shoe/I’ve lived like a foot/ for thirty years’, ‘Every woman adores a Fascist,/The boot in the face’ and so on. It is also a personal narrative mentioning her first suicide attempt at the age of twenty. So, there is a lot going on here and much critical ink has been spilled on the subject.

I want to take one aspect of this work as a writing prompt – think of one of your relatives, or imagine a relative, someone with whom you have a close relationship, who influences or has influenced you in some way, good or bad. Write a little scene setting about that. Give us a context. Then imagine a secret past for your relative and write about what effect this has on your relationship when you find out about it, how you think about them, how you interact, what the future holds. It might totally destabilise things, or explain things, or strengthen things. You choose. Good luck and enjoy!




[1] See Faber’s 1981 Collected Plath, pg 222-224.
[2]  Jo Gill, The Cambridge Introduction to Sylvia Plath, 2008, CUP, pg 62.