Showing posts with label beat generation. Show all posts
Showing posts with label beat generation. Show all posts

Saturday, 30 July 2016

Beat Generation at the Pompidou


If you've never seen the scroll, hithee. If you have, hithee again. It doesn't come out to play very often. If you don't know what I am talking about then this exhibition really isn't for you.

The trouble with trying to make an art exhibition from what was essentially a literary movement, yes, I know Kerouac painted and the Beats made some dodgy films, is that it doesn't really work. There is no substitute for the words on the page. Sitting and reading them. Quietly. Alone.

There are words on the page, not that the scroll is especially legible these days, which fits its iconic status. And there are manuscripts of Howl and Kaddish to be drooled over, but that is no substitute for personal reading.


There are just too many photographs, not all of them actually that good as photographs, even if taken by famous poets.

Nice try Pompidou. A good effort at doing something different, timed well so as to maximise American visitor numbers. But no, not enough explanation, cultural criticism, historical, political and social context for anyone coming to the Beats relatively unschooled.

Yes, it's good to see first editions of Burroughs and the film of a young Dylan, but otherwise, meh, really, a great, big meh.

Saturday, 26 May 2012

On the Road




The first film I have actually managed to go and see in France - and a mass Spoken Word outing.  It was much anticipated and had me engaged in all kinds of pre-reading - namely both the scroll and the published version of the novel in the last few weeks. Beat that!



Enjoyable, but less about the journeys, more about the partying and the vast American landscape was zipped through in seconds. I would have liked to have seen more of it and heard more from the novel in the narration, especially the wonderful descriptive passages about America. I don't understand why the script was based on the scroll, but names were from the novel. What drove this choice? We all know who's who, why not just call them by their real names? It's an almost impossible task to make a film from this book, so, fair effort and well worth going to see. Some of the French press I've read hate it, but ignore that and make up your own mind.


If you want more you can visit the scroll itself at the Museum of Books and Manuscripts where it will reside until 19 August. For details go here: http://www.museedeslettres.fr/public/