http://www.musee-rodin.fr/
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Saturday, 31 December 2011
Musee Rodin
Excellent collection of all your favourites: large castings, marquettes, marbles all jumbled around inside and in the grounds of a beautiful 18th century house at the back of Les Invalides. A cosy and intimate setting for works I've only ever seen in portentous places like the Cantor in Northern California, or at special exhibitions at the Royal Academy. Lovely garden too.
Very enjoyable and not expensive to visit - 10 Euros for two adults for everything including the current exhibition of 300 drawings (some racy enough to make Tracey Emin look tame), kids free, EU students under 25 free - so bit of a bargain for a family from one of France's non-state funded museums. Merci beaucoup.
http://www.musee-rodin.fr/
http://www.musee-rodin.fr/
Labels:
musee rodin,
Museum,
Paris Museums,
Rodin,
Tracey Emin
River of Stones - January 2012
Time to get excited again about paying attention to just one thing every day - join the river here http://www.writingourwayhome.com/p/river-jan-12.html.
My small stones will be posted on the Work - Gems page of this blog.
My small stones will be posted on the Work - Gems page of this blog.
Thursday, 22 December 2011
Saying Goodbye to George Whitman
Family, friends and the writers of Paris turned out today to say goodbye to George Whitman, founder of the world famous Shakespeare and Company, who died last week at the grand age of 98.
He was buried at Pere Lachaise this afternoon following a beautiful service with eulogies from Jeanette Winterson and his daughter Sylvia and readings of Fern Hill by Dylan Thomas, So Long by Walt Whitman, George Himself by Lawrence Ferlinghetti and George's open letter The Rag and Bone Shop of the Heart.
Without George's unfailing generosity there would be no Other Writers group for me to go to and I would never have met all my Parisian friends.
My happy life here is largely thanks to him.
Rock Hair - Paris
Certainly the grooviest hairdresser in Paris. Great cut, friendly staff, good music. Not cheap, but worth it for the experience. There are three branches: 7, Boulevard Beaumarchais, just next to Bastille metro and my local, plus at 68 Quai Jemmapes and 53 Rue Monge. One tip - they don't take cards, only cash or cheques and rather trustingly let me leave the salon to go to the cash point.
Sunday, 18 December 2011
Gumbo Press
I have another new poem, Espresso or the best cup of coffee in the world, in the latest edition of Gumbo. You can read it here http://gumbopress.co.uk/wordgumbo/wordgumbo4.pdf
Museum of Modern Art of the City of Paris
or Musee de l'Art Moderne de la Ville de Paris, has a wonderful representative collection of the last hundred or so years of mainly French art, especially good on Cubism, such as this Braque:
It mounts special exhibitions (Georg Baserlitz at present), but the permanent collection is free to view. It is housed in the Palais de Tokyo which was built of the 1937 International Exhibition, a favourite haunt of skateboards of all ages; so if you hate art you can grab a coffee and watch the free entertainment - middle-aged men practising tricks and teenagers laughing at them.
An excellent way to spend a few hours on a Sunday and there was hardly anyone there today, unlike the super-crowded Pompidiou. A few more images to give you a feel for what's there:
Saturday, 17 December 2011
Friday, 16 December 2011
Poetry News
My poem, The Card Box, is in this quarter's Poetry News, which has just been published.
http://www.poetrysociety.org.uk/
http://www.poetrysociety.org.uk/
Thursday, 15 December 2011
Graffiti Project - latest
Konny Steding - wonderful woman - rue de Renard, just down the street from the Pompidiou Centre
Roundyhouse
I have a new poem, Cairo 2011, in the latest edition of this magazine from South Wales. For information on how to buy a copy, go here http://www.benybont.co.uk/another/roundy.htm#rx
Labels:
poem,
poetry,
poetry magazine,
roundyhouse,
wales
Tuesday, 13 December 2011
Graffiti Project - latest
Gregos, probably my favourite artist so far in Paris - a bit scary really and more famous for his faces such as
and
and
of which there are apparently hundreds around the city. For more go here http://www.gregosart.com/STREETART/Eng/HOME-PAGE.html
Sunday, 4 December 2011
Graffiti Project - latest
I think these are by Invader (http://www.space-invaders.com/artworks.html), and/or his imitators, but you can never be sure as I haven't bought his Paris book.
Thursday, 1 December 2011
Wednesday, 30 November 2011
Graffiti Project - latest
This time it's the turn of the ubiquitous Fred the Chevalier - here are a few of my favourites mainly from the Marias, but also Montmartre and Les Halles
Tuesday, 29 November 2011
Musee Carnavalet, Paris
Also known as the Museum of the History of Paris is in the 4th, on rue de Sevigne, right in the heart of the Marais. Plenty of room recreations, paintings, revolutionary memorabilia, stones from the Bastille, Proust's bedroom and a lovely parterre. My favourite on this visit was the Fouquet Bijouterie designed by Mucha - Art Nouveau at its highest. most sinuous and most gorgeous. Free entry means I will be back time and again as it's literally five minutes from my apartment. Lovely.
http://carnavalet.paris.fr/
http://carnavalet.paris.fr/
Labels:
Marais,
Musee Carnavalet,
Museum,
paris,
Paris Museums
Friday, 25 November 2011
Going to the Doctor in Paris
is breathtakingly simple. I even managed to find a doctor within staggering distance of my apartment and get an appointment on the day I phoned. Of course, the huge downside for a foreigner is that you pay for the consultation and then have to pay the real price for the drugs prescribed. There is some mechanism for making a refund claim, which I have yet to discover, but note to self: be ill in Blighty where it's free. God bless the NHS. Claire Rayner's dying words are ringing in my ears this week (something like 'Tell David Cameron if he messes with my beloved NHS, I'll come back and haunt him').
Saturday, 19 November 2011
Twilight Breaking Dawn Part One
So, my excuse is I have teenage daughters, but let's be honest, it's only an excuse. Whilst I am still in team Edward, I feel a switch to team Jacob coming on now. How did that happen?
All the much longed for things happen in this one, but there was rather too much time spent on the sickly (as it turns out) honeymoon. The best thing about this series is still the landscape of the North West - I love those forests. I want that house in the woods.
All the much longed for things happen in this one, but there was rather too much time spent on the sickly (as it turns out) honeymoon. The best thing about this series is still the landscape of the North West - I love those forests. I want that house in the woods.
Monday, 14 November 2011
Edvard Munch, Pompidiou Centre, Paris
If this was on in London, you would either have to book tickets in advance, or queue round the block to get in. Luckily a sunny Sunday lunchtime when everyone else was eating meant that, after we had listened to some karioke busking (Wonderwall sung by a Dutch guy, I kid you not), we walked straight in. Well almost, but we honestly only had to hang around for half an hour. Pretty good going for a block buster art exhibition.
My knowledge of Munch is greatly enhanced, even if I found his work rather distrubing (Murder on the road, The fight, The murderess, The sick child etc.). My favourite painting was a self-portrait recovering from Spanish flu - face like a combination of a Francis Bacon smudge and The Scream. The latter, of course, is not there. No doubt it's kept under lock and key now, safely in Norway. Get there before 9 January if you want an art challenge. Just the thing for us after the Catacombs that morning.
My knowledge of Munch is greatly enhanced, even if I found his work rather distrubing (Murder on the road, The fight, The murderess, The sick child etc.). My favourite painting was a self-portrait recovering from Spanish flu - face like a combination of a Francis Bacon smudge and The Scream. The latter, of course, is not there. No doubt it's kept under lock and key now, safely in Norway. Get there before 9 January if you want an art challenge. Just the thing for us after the Catacombs that morning.
English Language Bookshops in Paris - 3
Galignani's wears its credentials in stone as the first English language bookshop to be established on the continent. Great location on the rue de Rivoli opposite the Tulieries. Less great are the prices of its new stock, which are a significant mark up on the UK RRP. The poetry selection was disappointing: a large number of classics padded out with popular anthologies made up over half the shelves. Pity.
http://galignani.com/
http://galignani.com/
Labels:
Bookshops,
paris,
Paris Bookshops,
poetry bookshop
Aldeburgh Poetry Festival
Apologies this is a repost as the blog received a spam comment that I have only just worked out how to remove. Anyway, the festival was fantastic. Great to meet up with all my friends and listen to some truly worldclass stuff. Robert Hass and Kay Ryan were the big international names this year.
http://www.poetrytrust.org/
http://www.poetrytrust.org/
Tuesday, 1 November 2011
English Language Bookshops in Paris - 2
The San Francisco Book Company is small, but perfectly formed. It has a good selection of mainly second hand books that are not as expensive as I expected (i.e. comparable with the same in the UK). There are several shelves of poetry that you have to bend over to browse, but luckily there is a stool provided for those with bad backs. Jim Carroll is a friendly and informative book seller. Go there (in the 6th - 17, Rue Monsieur Le Prince), buy books.
http://www.sanfranciscobooksparis.com/shop/sfbparis/index.html
http://www.sanfranciscobooksparis.com/shop/sfbparis/index.html
Graffiti Project - latest
Graffiti and the shop front - is a whole new sub-genre. Here are some examples from Le Marais and Montmartre.
Spoken Word, Paris
Not only are there bookshops - there is an open mic - hurrray for that - run by David Barnes, who also leads the Saturday writers' workshop at Shakespeare and Company. It's every Monday night from 8 ish - remember we are on Paris time now - till late. Check the website for the location as it keeps changing at present.
Last night was a Hallowe'en fest of spooky stuff - The Raven, a retelling of Red Riding Hood - as well as other poems, stories and songs in English and Italian. My favourite performance was Yeats read from under a sheet. Excellent and free.
http://spokenwordparis.blogspot.com/
Last night was a Hallowe'en fest of spooky stuff - The Raven, a retelling of Red Riding Hood - as well as other poems, stories and songs in English and Italian. My favourite performance was Yeats read from under a sheet. Excellent and free.
http://spokenwordparis.blogspot.com/
Labels:
Hallowe'en,
paris,
Shakespeare and Company,
Spoken Word
Tuesday, 18 October 2011
English Language Bookshops in Paris - 1
As my French is, well, fairly rudimentary and my need for the spoken word is huge, it is a great surprise to find that Paris has so many English language bookshops. I suppose the most famous of these is Shakespeare and Company on the Left Bank (just opposite Notre Dame). http://shakespeareandcompany.com/
Not only is it packed floor to ceiling with an excellent stock of new and some quality second hand books, at not too bad a mark up on UK prices, but it also holds author readings almost every Monday and a writers' workshop on Saturdays in the late afternoon/early evening.
In the last few days I have heard Edward St Aubyn reading from his latest novel - the finale to a five book series (At Last) that I was not familiar with, and attended the writer's workshop where we are a rather strange tourist attraction. I have never been part of a group where work-shopping is a random spectator sport for book browsers before! I imagine I will get used to it.
Not only is it packed floor to ceiling with an excellent stock of new and some quality second hand books, at not too bad a mark up on UK prices, but it also holds author readings almost every Monday and a writers' workshop on Saturdays in the late afternoon/early evening.
In the last few days I have heard Edward St Aubyn reading from his latest novel - the finale to a five book series (At Last) that I was not familiar with, and attended the writer's workshop where we are a rather strange tourist attraction. I have never been part of a group where work-shopping is a random spectator sport for book browsers before! I imagine I will get used to it.
Saturday, 15 October 2011
Wednesday, 5 October 2011
Sunday, 2 October 2011
Graffiti Project - new location
A new city, a whole new ball park when it comes to photographing graffiti and street art. There's too, too much to take pictures of, so I will try to limit myself to posting the very best ones I find, like this gargoyle on the Quai de Montebello (left bank of the Seine right opposite Notre Dame) - a little obvious I know, but worth it for all that.
Saturday, 27 August 2011
Paul Muldoon - Edinburgh Book Festival
Paul Muldoon is indeed one of our greatest poets: challenging and playful, as he showed last Saturday evening. It was good to hear him read a full set of poems, especially the Wayside Shrine sequence from Maggot. He was relaxed and entertaining in the process, even having his son on stage to read a chorus to one poem, Lovely.
http://www.paulmuldoon.net/ to check him out.
http://www.paulmuldoon.net/ to check him out.
Friday, 26 August 2011
Julian Sands - Pinter's poetry - Edinburgh
You'd think that something directed by John Malkovich would be a bit, well, better really. This show had loads and loads of publicity - pictures of Malkovich handling out his own flyers on the Royal Mile in the Guardian, both he and Sands interviewed on the Culture Show, Sands on Radio 4, blah, blah. Certainly drew me to it.
Pinter's poems are the stars of the show, pithy, political and pleasingly personal. I knew some of them, but his love poems were a revelation.
I think my disappointment is that actors, even good ones like Sands coached by the poet themselves, as he was by Pinter before his death, just don't do poetry justice. Its music was lost in making meaning, over-rehearsed 'chat' between poems that lost all spontaneity, gesture, and actor-ly bowing. Poets just don't bow like that after their readings. Note to self - better go hear a poet reading their own or another's work.
Worth a try though if you not acquainted with Pinter's poems. It's on tour later in the year.
Pinter's poems are the stars of the show, pithy, political and pleasingly personal. I knew some of them, but his love poems were a revelation.
I think my disappointment is that actors, even good ones like Sands coached by the poet themselves, as he was by Pinter before his death, just don't do poetry justice. Its music was lost in making meaning, over-rehearsed 'chat' between poems that lost all spontaneity, gesture, and actor-ly bowing. Poets just don't bow like that after their readings. Note to self - better go hear a poet reading their own or another's work.
Worth a try though if you not acquainted with Pinter's poems. It's on tour later in the year.
Labels:
edinburgh,
Harold Pinter,
John Malkovich,
Julian Sands,
poetry
Monday, 22 August 2011
Graffiti Project - latest
A really good one from Lothian Street, Edinburgh this time. I love the plants in the pavement, they seem so right.
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