Tracey Emin at Whitecube, Bermondsey
Bonnard, Tate Modern
Big blockbuster bore. Snoringly dull subject matter that viewed with twenty first century eyes is just not interesting, no matter how ground breaking it was at the time. I don't want to see the garden from your dining room, and despite the many times your wife takes a bath, there's really no excuse for painting her, every, single, day. Also, you can't paint dogs and cats for toffee. Don't even try. BUT you can do colour, colour, colour, colour. The master of complementarity. No contest.
Bill Viola, Royal Academy
Fabulous and wonderful as always. I just love his videos. Technology moves and he just gets better and better. Paired in this show with rarely seen and complimentary/influential drawings by Michael Angelo from the royal collection at Windsor, this was the best way to spend a cold Sunday than just about anything else I know. I took a novice who immediately became a convert. Bliss.
Van Gogh, Tate Britain
Blockbuster two - yeah, all the greatness you expect. Tortuous conceit of trying to make it something about the years he lived in south London before he became a painter. Throwing in of British art he supposedly influenced - hmm. The Bacons in the last room were a joy. Crowded beyond measure, etiquette and politesse. But it's Van Gogh, and At Eterity's Gate with Willem Dafoe is a must see film while I'm on the topic.