I remembered her vast fleshy canvasses from Sensation in the late 90s, so it was fascinating to see how her work has matured. Still vast, still fleshy. The wateriness of the eyes struck me especially today. New work includes movement drawings of mother and client directly referencing da Vinci and others. There are two of these drawings hung in the Renaissance galleries in the Ashmolean as well this summer. Great idea and we enjoyed those two and the sort of mini art trail through Oxford to see them.
Terrific stuff and I am so glad we made the effort to get there today. My personal favourite was the central panel from her Atonement studies, a self-portrait as a blind woman, the eyes liquid like moonstone. Unbelievably it's her first solo show. Brilliant and free. Go soon, it's on until 16 September.